December 6, 2010 4 Comments
Reality TV is the pop culture people love to hate. Beyond hate.
People revel in performing intellectual snobbery upon its formulaic structure and money-grabbing associations. And yet it’s one of the main reasons behind the readerships of glossy weeklies at this time of the year. More interestingly, the entertainment level of this years’ crop of weekend shows has risen for those who watch with an accompanying laptop: Twitter has made the un-watchable essential viewing.
As a culture, arts or comment journalist, you should already be aware of this networking phenomenon.
And so much more besides. The secret behind any good comedy quiz show is the banter that surrounds a few irrelevant questions. The same principle applies to Cher Lloyd, Anne Widdecombe, and Stacey Solomon’s antics. What they have in common, beyond the fact they have subjected themselves to the scrutiny of millions of TV viewers is they have also all got hashtags on Twitter (#cher, #widdecombe, #stacey) and are now under the examination of millions of fans, viewers and – essentially – journalists.
The witty tweets about them become more important than what they do on the show.
Because on weekend evenings, these four hours of often underestimated reality TV bring together critics professional and unprofessional alike. With a transatlantic time difference I have been gaining my X Factor experience across the pond by following them since September. Now back in Britain, I spent this past Saturday night in joining the Twittersphere and voicing my opinion, minute by minute, alongside thousands of other 140-character comments.